Kant after Duchamp Thierry de Duve
Publisher: MIT Press

Call No.: R English 111.85 DUV. One more stab at becoming post-christians" Alongside this one, some of his other writings address ideas of incarnation and resurrection in contemporary art : 100 years of Contemporary Art and Kant after Duchamp ect ect. The “best”) art work of the twentieth century, including its status as a prank, and all the manipulations Duchamp performed to put the image of La Fontaine into circulation, recorded in Thierry De Duve's Kant After Duchamp. See also Thierry De Duve, Kant After Duchamp (Cambridge, MA, and London: MIT Press, 1996), 199–279. I found Theirry de Duve's 'Kant after Duchamp' most controversial here. The title of the blog derives from Thierry de Duve's book Kant After Duchamp and was also the title of the written portion of my MFA thesis. 4 Paul Chan, “What Art Is and Where It Belongs,” e-flux journal, no. Within this text there is a sense of the 'battle of aesthetics' during the period of modernism and a sense of loss in post-modernism. The most important book to me since Thierry de Duve's Kant After Duchamp (MIT Press, 1998). The title 'This is Whatever' transpired by reading Thierry de Duve's 'Kant after Duchamp'. This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. KANTAFTERDUCHAMPTHIERRY DE DUVEAN O C T O B E R BOOKT H E M I T PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENCLAND © 1996 Massachusetts Institute of Technology All rights reserved. Go out and print stuff: NU, duchamp ✧ kant after duchamp part 1. Title: Kant after Duchamp / Thierry de Duve. Thierry de Duve explores this matter in his already famous book “Kant after Duchamp”. Professor Thierry de Duve, author of Sewn in the Sweatshops of Marx, Revamping Kant, Pictorial Nominalism, Kant After Duchamp, and Clement Greenberg Between the Lines. May 31, tuesday ✧ applications of differentiation ✧ kant after duchamp part 2 ✧ kant after duchamp part 3. Da, să ştiţi că a fost nevoie de toate aceste operaţii teoretice pentru că, servindu-se de cazul Marcel Duchamp, Thierry de Duve ţintea în mai multe direcţii.